The power of self-confidence within the first four lines of the poem takes on an air equivalent to that of Socrates it his detachment from criticism:
If you can keep your head when all about you
Are losing theirs and blaming it on you,
If you can trust yourself when all men doubt you
But make allowance for their doubting too,
Here is the real measure of individuality and self-worth the power to reject bitterness in the face of other people's wrath. The overwhelming reference to "you" or "your" which is used seven times within these four lines really has the affect of breaking out of the poem and speaking to the reader directly. There is a God-like forgiveness within the last line of forgiving your foes, it is a higher understanding of how the world works, it grasps at the truth of human nature and makes "allowance" at the folly of others, not for their sake, but for your own.
Patience as a virtue and the correct way to speak and feel is of interest in the next four lines:
If you can wait and not be tired by waiting,
Or being lied about, don't deal in lies,
Or being hated, don't give way to hating,
And yet don't look too good, nor talk too wise:
Here patience is both taken as patience with others and with the world at large. True understanding is patience, and with dealing with others in the correct manner. The negativity of "hate" and "lying" are rejected absolutely by those who would seek to view the ways of the world from an open philosophic way of thinking. At the close of the poem the narrator warns though against the error of arrogance with such self-confidence and wisdom.
It is hard to ignore the conservative message that is evident within the whole of the next stanza:
If you can think-and not make thoughts your aim;
If you can meet with Triumph and Disaster
And treat those two impostors just the same;
If you can bearo hear the truth you've spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build 'em up with worn-out tools:
Once again the words are noble enough, at the start the narrator praises dreams and longings but warns against becoming blinded with those wants. Interestingly, the knowledge of the god-like narrator warns against the personified (note the capitalisation) "Triumph and Disaster" realising both of them as "impostors," or of little importance in the grand scheme of things.
The last two lines could be read somewhat as a conservative message (knowing the authors politics) with the idea of continuation and hard work in adversity, of course it is always dangerous to attach the author with the poem in such a way, though it remains positive and uplifting.
This idea is also continued within the next lines:
If you can make one heap of all your winnings
And risk it all on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breath a word about your loss;
The attitude of never giving up and working hard certainly could be read as an element of the conservative methodology, however the determination and message of striving is there for all to adhere to regardless of political vision. It is also much more than the method of a continuation in the face of adversity, it is about the way this is done and never breathing "a word about your loss" shows the utmost element of self-dignity.
Of course the message of the poem throughout is also holding the tension that will be finally released within the last line. The poem is essentially and extended sentence with the object only released at the end. Before this however there is more tension and dignity to be wound-up within the message of the poem in the next stanza:
If you can talk with crowds and keep your virtue,
Or walk with Kings - nor lose the common touch,
if neither foes nor loving friends can hurt you,
If all men count with you, but none too much;
In the last section of the poem the tension built-up throughout is finally released:
If you can fill the unforgiving minute
With sixty seconds' worth of distance run,
Yours is the Earth and everything that's in it,
And - which is more - you'll be a Man, my son!
The last line is also the realisation of the passing down of knowledge and wisdom from father to son, and it is the first time that we as readers realise that the poem is not directly addressed to them, but to a younger figure.
This gives the poem an extra element of humility, and as readers we unconsciously care for this younger child and hope he prospers under such guidance, as we do ourselves.
Overall in the poem there is much truth and wisdom within these motivational words that seems tap into a core within the reader, expanding virtue and knowledge. True words are often softly spoken and the gentleness and confidence which meet the reader in the lines of the poem come across both reverent and admirable. The obvious humanity which Kipling breached within the whole poem stirs within the reader thoughts of a higher nature than the pettiness that surrounds daily life, it is just a shame that most people don't act upon the meaning carried within the Kipling's verse, for then we could truly ask "what if?"
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